Here’s a great crash course in the history of Typography, ingeniously put together in the form of a short film by Ben Barrett-Forrest of Forrest Media.

Reblog of some pretty necklaces from lustik:

ABC Pendants - Turina Jewellery with Lena Steinborn

Wow! How you seen Pae White’s colourful typographic exhibition at the South London Gallery?

A mesmerising installation in which vast quantities of coloured yarn span and criss-cross the room to create supergraphics spelling out words that can only be deciphered by navigating the space. (South London Gallery)

cukri:

Bodoni Bedlam Pop-Up Book by Victoria Macey


Very talented illustrator and designer Victoria presents us a very pretty pop-up book. And she’s one of the artists which we can find on tumblr. Follow her here

A thing of Beauty!

We’re suckers for some hand drawn type here at T&T.

Here’s a fascinating insight into how it’s done.

2013 is fast approaching, so here is a little round up of some nice calendars for us to consider for next year:

Fluid Animals Calendar by Ben the Illustrator

Ink & Wit Letterpress Vortex calendar

Ampersand Calendar by Paper Heart

Vintage style one page calendar by Yumalum

Wall Planner by Present & Correct

Mini Calendar Animal Collective by Violet May

Typodarium 365 fonts calendar, sadly sold out :(

We recently discovered the work of Dana Tanamachi, a Taxas born, Brooklyn-based designer and letterer.

Tanamachi’s graceful hand-drawn typography holds a sense of nostalgia for us as her work is entirely executed in chalk.

Tanamachi’s says about her discovery of chalk lettering: 

The first time I ever picked up a piece of chalk in this way was a few years ago. My friends were having a themed housewarming party—The Great Gatsby—in Brooklyn and I stopped by with a friend from college. There was a big chalk wall with several quotes scribbled all over it, which I was really drawn to. To the side, they had a smaller, blank chalk wall. My friend said, “You’re artsy, right? Why don’t you draw something? Here’s a piece of chalk.” I turned to the friend who I was with and said, “Let’s draw the word ‘Brooklyn’.” He started on the “B” and I started on the “n” and we were going to meet in the middle, but in a few minutes, I was already on to the “r” and he was still drawing the “B”. We were laughing. For the next several parties, I would come over beforehand to draw other themed backdrops. 

I suppose the “aha” moment came when I realized I had found the thing that could allow me to practice and improve my lettering skills, serve my friends, and have some fun in the process.

Since then Tanamachi has gone up and up, working with big names around the globe: Google, Yahoo!, Rugby Ralph Lauren, The Ace Hotel, Tommy Hilfiger, West Elm, and Bloomingdale’s to name a few, and with such beautiful work and a distinctive style it not wonder that in 2011 she was named a Young Gun (YG9) by the Art Directors Club and a Young Creative to Watch by HOW Magazine. 

typeworship:

Playful lettering by Linzie Hunter

Linzie is one of those designers who’s work exudes positivity. Her playful lettering has a carefree feel that it reminiscent of schoolbook doodles. You can guarantee however that this style has been honed over many years to become so beautifully crafted.

Originally from Scotland, Linzie lives and works in a London. She describes her freelance illustration work as being created digitally though you can clearly see its roots here in her vibrant sketchbooks.

(via typeworship)

If you live in London and you’re quick you still have time to visit the Pencil to Pixel Exhibition at London’s Metropolitan Wharf, it finishes today ay 7.30pm. We wish we could go!

The exhibition is of items from Monotype’s extensive archive, such as Font samples and type pieces, publications and projects.

reblogged from naomieross:

Let there be light” is inspired by map insurance lettering. The text is taken from the first few verses in genesis. The cartographic inspiration is a subtle hint to the creative blueprint instructions. It is printed on cordenons moondream (turns transparent upon hot stamping).